Ain Dubai

I wanted Ain Dubai to feel as large on screen as it does in person, so the campaign moves from FPV fly-throughs to bullet-time moments inside the pods, with each space carrying its own energy. The one-month schedule forced production and post to move in parallel while I helped develop effects, social edits, and a stunt with the Crown Prince of Dubai on top of the wheel. It was ambitious, slightly chaotic, and ultimately reached tens of millions of viewers across the campaign.